Steven M. Krueger:  The Shape and Color of Research

The idea for Holy Raiment grew out of an advanced fiber arts class wherein I set myself the task of combining my bookmaking skills with cloth. Returning to a religious theme (my parochial schooling has served me well), I decided to craft a book of saints that would act as a reference to a series of vintage garments conceived and displayed as sacred relics.

Starting with a general index listing of each saint�s special patronage and feast day (we Catholics have a saint for everything and everyday), I chose those I could �define� with an item of clothing, e.g., Cecilia, patron of singers, shown as the beaded gloves of a chanteuse. The selection included saints both familiar and new to me, as with Lydwina, the patron of ice-skaters. Having had hernia surgery several years ago, I had to include Gummar who�s invoked against such a malady! The feast days yielded each saint�s history. I read various accounts and finally condensed these into a concise one-line narrative.

The intimate size and shape of the reference intentionally recalls a prayer book, complete with silk ribbon marker. The hand carved imagery opposite the corresponding text serves as the identifying attribute, in keeping with the practice of representing each saint with a specific symbol or emblem. Researched and studied, this attention to details reinforced the religious theme.

Shopping antique and vintage clothing stores balanced out the whole creative process. I made a serendipitous find in the boxing gloves. The previous owner had painted his name of Mike on each cuff. As I was driving home, I realized they could be used for Saint Michael the Archangel, even though he was not in my original selection. I promptly turned around and bought them, just the same. Reworking my layout was minor to include such a godsend as these!