University of Wisconsin–Milwaukee

Artists Now!


Guest Lecture Series

The Department of Art & Design proudly presents Artists Now!, a Wednesday evening lecture series designed for a broad audience with an interest in contemporary visual art. It presents a diverse group of artists working across traditional, hybrid and emergent disciplines. Join these nationally and inter- nationally recognized practitioners as they explore and expand the boundaries of creative visual practice today.

All lectures take place on Wednesdays at 7 pm in the Arts Center Lecture Hall on the UWM campus. FREE and open to the public!

This series is supported in part by the Frederick R. Layton Fund, the John Colt Memorial Art Fund, CASA, Object and Inova.

9/14/11 - Laura Nova
9/21/11 - Tiffany Holmes
9/28/11 - Bill Lucas
10/5/11 - Paul Druecke
10/12/11 - Tom Loeser
10/19/11 - Sean Slemon
10/26/11 - Mark Wagner
11/2/11 - Iris Eichenberg
11/16/11 - Martha Glowacki
2/1/12 - Elinor Carucci
2/8/12 - Lisa Bulawsky
2/15/12 - Anya Kivarkis
2/22/12 - B. Stephen Carpenter, II
2/29/12 - Maria Tomasula
3/14/12 - David Bowen
4/18/12 - Joseph DeLappe
4/25/12 - Hank Willis Thomas - CANCELLED
5/2/12 - Beth Lipman


September 14, 2011:
Laura Nova — Runner Up

Nova explores the impact of the environment on human relationships. Inspired by endurance sports and physical activity, her research and work often engages the public in a social practice, such as organized running races and walking tours.

September 21, 2011:
Tiffany Holmes — Beyond Eco-Art: 21st Century Eco-visualisation

Eco-visualisation artwork translates ecological data into easy-to-understand images and sounds. These projects explore new technologies and media forms to present a message of positive environmental stewardship.

September 28, 2011:
Bill Lucas — Spreading the Practice of Human-Centered Design

Lucas understands the growing need for Human-Centered design in this age of increasing technological power and complexity. He will share the mindsets, tools, and skills that are central to this practice.

October 5, 2011:
Paul Druecke — Cover the City with Lines

Druecke's projects have an uneasy, compelling relationship with intersecting notions of creating and control. He talks of possibilities for exile between the personal and communal, and between city and idea of city. Watch the YouTube video.

October 12, 2011:
Tom Loeser — Additions, Distractions, Multiple Complications and Divisions

Known for his quirky and unusual approach, Loeser will speak about the sources, inspirations, and ideas behind his functional and dysfunctional object designs, including furniture, boats, and sculpture. Watch the YouTube video.

October 19, 2011:
Sean Slemon — Public Property/ Responsibility

Slemon examines land use and nature, and how they are co-opted to create advantage or discriminate. His work explores the politics of access to natural resources and how such assets are acquired and deployed. Watch the YouTube video.

October 26, 2011:
Mark Wagner — How to Make Money by Cutting up Money

Wagner's collages use American currency as his medium, creating beautifully crafted images and objects from fragments of money. He will discuss the nature of money, economics, and currency as revealed through the act of destroying money to make art. Watch the YouTube video.

November 2, 2011:
Iris Eichenberg — Would I Be My Costumer

In this talk, jeweler Eichenberg asks: "The work I like, the works I make. Will the twain ever meet?"

 

November 16, 2011:
Martha Glowacki – Private Science

Glowacki will talk about directions in her current studio practice and how she develops ideas for work. She'll show some examples of source material from the history of natural science, collecting, and museums as part of the talk.

February 1, 2012:
Elinor Carucci — Closer to My Children

Carucci's intimate color photographs chronicle her life with her family. These portraits in everyday domestic environments are at the same time, intensely personal and universal.

February 8, 2012:
Lisa Bulawsky — The Print as Organism

Bulawsky's ideas filter through her knowledge and investigation of printmaking, and its physical and philosophical implications. She will discuss the private and public impulses as well as the metaphorical role of print in her work and in culture through recent projects.

February 15, 2012:
Anya Kivarkis — Jewelry Appropriating Jewelry: From Dutch Portraiture to the Internet Archive

Kivarkis recreates pieces of jewelry from image archives. The sources of the work move through history and examine material culture in moments of Imperialism, including the Victorian, the Baroque, and our contemporary period.

February 22, 2012:
B. Stephen Carpenter, II — Artistic Intervention, Curriculum, and Public Pedagogy

Carpenter argues that the global water crisis demands creative interdisciplinary responses in the form of artistic, curricular, and pedagogical interventions that raise awareness, engage research, and take action.

February 29, 2012:
Maria Tomasula — Becoming and Being

Tomasula's paintings explore the paradox of each person being singular, yet shaped by economic, historical, and social circumstances. She will chart the influences from her own urban, immigrant, working-class background, which have formed the pictures she makes.

March 14, 2012:
David Bowen — Aesthetic Data

Bowen produces devices and situations that are set in motion to create drawings, movements, compositions, sounds and objects. These devices often attempt to mimic a natural form, system or function, and when they fail, the results can be fascinating.

April 18, 2012:
Joseph Delappe — Protest, Memory and Reenactment

In 2001, DeLappe began a series "hacktivist" performances within computer games and online communities which creatively engaged our contemporary geopolitical and technological context through interventionist strategies.

May 2, 2012:
Beth Lipman — The Still Life Revisited

Lipman's still life projects reflect her ability to control material in the moment. Through this process, glass objects are made, composed, and reduced to a photograph before they are destroyed or recycled. Lipman will discuss the still life tradition, her own work, and other inspirations.

Retargeting Pixel