Art & Design MA/MFA - Studio Art
Matthew Lee used his experience in the harsh, unforgiving environment of Antarctica as the inspiration for his paintings and UWM Peck School of the Arts Master's thesis.
Department of Art & Design Graduate Program in Studio Art
Graduate Admission Applicants:
MA/MFA in Studio Art only accepts applications for fall matriculation. Our application process is two fold. First apply to the Graduate School and then follow the deadlines listed below to submit your application materials and portfolio to the Department of Art & Design Graduate Studies. Please read all information and follow the deadlines closely.
Step 1: Graduate School Application (Fall Matriculation)
We encourage you to submit your Graduate School application as soon as you decide to apply to the University of Wisconsin – Milwaukee Art and Design MA/MFA. We recommend applying at least one year in advance for the term you wish to start. All graduate school applications should be in by Mid-November to Early-December, for following fall admission.
Please read over all admission requirements for Graduate School.
International applicants please read over all requirements on the Center for International Education page.
Please complete the University of Wisconsin – Milwaukee Graduate School on-line application.
All applications must be accompanied by a non-refundable, $56 based application fee, and an additional $40 evaluation fee, also non-refundable, is required for applicants with college-level work from non-U.S. colleges.
Step 2: Portfolio/Application Studio Art (MA/MFA)
Send all application materials to: email@example.com with the subject heading: APPLICANT LAST NAMEF2015 (ex. SMITHF2015). In one email, submit as PDF files:
MA/MFA application (coversheet and all application materials): February 1
If you are applying for the DGSF (Distinguished Graduate Student Fellowship) or the AOP (Advanced Opportunity Program), all materials for the application are due January 7, 2015. Please see criteria and instructions for university fellowship applications.
- application coversheet
- digital portfolio
- image list
- reasons for graduate study statement
- transcripts (copies of official transcripts are acceptable for the Department materials)
- three letters of recommendation (sent to firstname.lastname@example.org as PDF file on official letterhead by the recommender)
If applying for Teaching Assistantships, Project Assistantships, or Department Fellowships, please also send in a separate email with the subject heading: APPLICANT LAST NAMEF2015 (ex. SMITHF2015) to email@example.com:
- student portfolio
- student portfolio image list
- teaching philosophy
Fellowships and Assistantships Information
The Distinguished Graduate School Fellowship (DGSF) for new and continuing graduate students is for a one-year, non-renewable fellowship. The Advanced Opportunity Fellowship (AOP) is for new and continuing qualified graduate students who are member of groups underrepresented in graduate study or who are otherwise disadvantaged. Applicants must be American citizens or permanent residents of the United States. The AOP is renewable. These fellowships provide recipients with a monthly stipend for the academic year (fall and spring), coverage of in state-sponsored health insurance. For more information and application forms click here.
Fellowships, Teaching Assistantships and Project Assistantships are also available from the Department of Art and Design. Please download the Admission and Awards Applications above.
UWM Department of Art & Design Graduate Program in Studio Art
Located near Lake Michigan on Milwaukee's northeast side, UWM's 92-acre campus is surrounded by county parks that offer scenic beauty and outdoor activity all year long. The University of Wisconsin-Milwaukee combines the excellence of the University of Wisconsin System with the resources only a major metropolitan area can offer.
Milwaukee is Wisconsin’s largest city and boasts a lively arts community to which the Department of Art & Design actively contributes. Recent developments include an energetic local alternative art scene as well as international attention brought to the city by the Santiago Calatrava-designed addition to the Milwaukee Art Museum. The Institute of Visual Arts (Inova), UWM’s exhibition venue for contemporary art, contributes to the city's cultural vitality. Chicago and Madison are also within close driving distance, offering a host of arts opportunities.
The Department of Art & Design offers a Master of Arts (MA) degree and a Master of Fine Arts (MFA) degree, 30 credits and 60 credits respectively. The graduate program encourages interdisciplinary activity and exploratory models of thinking and production. Theory and practice are closely linked through Graduate Seminars and Art History offerings, as well as a very active Visiting Artist and Scholar program. Graduate students are encouraged to explore an area of study in depth and to experiment across media and discipline, with encouragement and opportunities to explore hybrid processes, as well as engage in the history and traditions of art.
The graduate program is interdisciplinary. Students may focus in one specific area of concentration, or expand into other areas of research. Students choosing a specific concentration area may take courses across studio disciplines. The InterMedia concentration is intended to be an integrated focus that combines two or more disciplines. Students may focus within the following broad categories:
- Art and Technology
- Design and Digital Media
- InterMedia (integrated/mixed media and installation)
- Jewelry and Metalsmithing
- Painting and Drawing
- Print and Narrative Forms
The program is structured to ensure a broad and balanced integration of media, processes and concerns allowing a rich combination of tradition and innovation. Engagement with disciplines outside of Art & Design and within the local, national, and international community is also encouraged, expected and supported. The hallmark of the department is its commitment to diverse ideas and approaches to art that foster an experimental attitude in keeping with contemporary art practice.
There are well-equipped studio facilities that offer access to a wide range of tools and equipment in each disciplinary area. These studios and labs are housed within our campus buildings, as well as within our new Kenilworth facility.
In 2006, the new Kenilworth Building became home to all graduate studios. This is a stand-alone renovated factory building on Milwaukee's East Side, less than a mile from the UWM campus. Kenilworth contains studios for all of the arts, including dance, film, music and theatre, and also contains gallery space, a screening room, various installation sites and studio facilities. It is in a thriving neighborhood of coffee shops, bars, restaurants and movie houses, and is next door to a graduate housing facility. All graduate students will have working studio space and 24 hour access to this state of the art facility.
The Faculty and Recent Graduates
Graduate faculty members in art are all exhibiting and publishing artists who express a wide range of concepts, content, and media in their work. Recent faculty involvements have included public art commissions and exhibitions within the city of Milwaukee, Madison and Chicago, nationally and internationally, including Los Angeles, Seattle, Denver, New Orleans, New York, Washington D.C., Canada, Peru, Great Britain, Netherlands, Germany, Hungary, Italy, South Africa, China, Taiwan, and Korea, as well as visiting artist and speaking engagements throughout the United States and abroad. Our graduate students are strongly encouraged to interact and work within the community, and to explore multiple venues and audiences for their work. Recent graduate student successes include countless showings throughout the Milwaukee urban area, a prestigious Joan Mitchell Foundation grant, a prestigious International Sculpture Center's Outstanding Student Achievement in Contemporary Sculpture Award 2007, an exhibition winner in a New York gallery installation, participation in Art Chicago as well as The Stray Show, exhibitions in China, a feature article in Ceramics Art and Perception, and a feature article in the Milwaukee Journal Sentinel's We Section.
We have active liaisons with the School of Architecture and Urban Planning, the Center for 21st Century Studies, the Center for International Education, the Center for Latin American Studies, the Film and Art History Departments and a host of community-based, not-for-profit cultural organizations. Along with Artists Now!, our timely Visiting Artist and Scholar program, we offer the opportunity for artist residencies at the Anderson Ranch Arts Center in Colorado, as well as ongoing study abroad trips and programs, and various opportunities for focused international research, which have recently included trips to South America, China, Europe and a residency at the New Bauhaus Graduate Program in Public Art in Weimar, Germany.
The Visiting Artists, Curators and Scholars Program
The Department of Art & Design maintains an active and exciting Visiting Artist Program, Artists Now!, which usually offers graduate students direct contact in the form of studio critiques, group discussions, brown bag seminars and public presentations. Artists and curators in recent years include: David Wilson, Santiago Cucullu, Walid Raad, Joyce Scott, Kathryn Spence, Marianne Weems, Zoe Beloff, Faith Wilding, Gregory Sholette, Nato Thompson, Jane Simon, Siah Armajani, Christiane Paul, Liz Bachhuber, Sheba Chhachhi, Habib Kheradyar, Irit Rogoff, Zhang Zhaohui and Ma Youngfeng, Gean Moreno, Deb Sokolow, Claire Pentecost, Kanishka Raja, Peregrine Honig, Jana Brevick, Adelheid Mers, Michael Banicki, Patrick Nagatani, Sara Velas, Dan Andersen, Renato Umali, Michiko Itatani, Michele Feder-Nadoff, Paul McMullan, Nick Cave, Faythe Levine, Gary John Gresl, Mads Lynnerup, Dianna Frid, Betsy Damon, Michael Rakowitz, Terry Barrett, Antonio Martorell, Glenn Adamson, Howard Risatti, Jamie Bennett, Paul Berger. Film, Modern Studies, the Center for International Education and the Center for 21st Century Studies also host countless renowned luminaries working in media, criticism and visual culture. There is also a constant stream of artists and critics that visit Milwaukee's other institutions of visual culture. There is a wealth of opportunity within the UWM community to experience an impressive array of creative work, studio art, media-production, and critical and scholarly thought across disciplinary boundaries. Graduate students within the program are expected to take full advantage of these resources, and be a part of the intellectual and creative community beyond the studio doors.
For further information:
Shelleen Greene, Director of Graduate Studies
Mitchell Hall 371
Awards and Fellowships
The Department of Art & Design offers the following awards, which are applied for through the Office of Graduate Studies in Art:
Layton Research and Travel Awards
The Department of Art & Design offers at least one graduate thesis exhibition each semester. Other exhibition opportunities abound on campus and in the community.
Recent Visiting Artists, Curators and Scholars2012/13
Jan-Ru Wan – Re-Materialization: Creativity through Found Materials
Hank Willis Thomas – Mixed Media
Oron Catts – The (Semi) Living Tissue of Art
Arthur Hash – Crafting in a Digital Age
Nicolas Lampert – Visualizing a People’s History
Elisabeth Subrin – Recreating Missing Histories
Cima Katz – “untitled”
Hans Gindlesberger – Dead reckoning
Emmanuel Pratt – Work, Intuition and Practice
Xavier Toubes – Re-framing the Discourse
Oliva Gude – Aesthetic Geography – Collarborative Public Art by Olivia Gude
Seitu Jones – hortiCULTURE: Art and Culture into Horticulture
Cynthia Lawson Jaramillo: Slowness and the Everyday
Richard John Forbes – The Mark of Temperal Repercussions and the Art of Letter Go
Nicole Jaquard – Technology: Resisting Machine Aesthetics
Linn Meyers – drawing
Dylan A.T. Miner – History, Memory, and Anti-Colonial Collaboration
Laura Nova — Runner Up
Tiffany Holmes — Beyond Eco-Art: 21st Century Eco-visualisation
Bill Lucas — Spreading the Practice of Human-Centered Design
Paul Druecke — Cover the City with Lines
Tom Loeser — Additions, Distractions, Multiple Complications and Divisions
Sean Slemon — Public Property/ Responsibility
Mark Wagner — How to Make Money by Cutting up Money
Iris Eichenberg — Would I Be My Costumer
Martha Glowacki – Private Science
Elinor Carucci — Closer to My Children
Lisa Bulawsky — The Print as Organism
Anya Kivarkis — Jewelry Appropriating Jewelry: From Dutch Portraiture to the Internet Archive
B. Stephen Carpenter, II — Artistic Intervention, Curriculum, and Public Pedagogy
Maria Tomasula — Becoming and Being
David Bowen — Aesthetic Data
Joseph Delappe — Protest, Memory and Reenactment
Beth Lipman — The Still Life Revisited
Stan Shellabarger & Dutes Miller- performance, books and installation
Melanie Davenport- indigenous media, visual culture, social justice in Art Education
Alex McQuilkin- video artist
Sylvia Harris- designer
Richard Noyce- printmaker
Nate Larson- photographer
Susie Ganch- jewelry
Sabine Gruffat- video animations
Bruce Metcalf- jewelry, sculptures, and wall reliefs
Sigrid Sandström- painter
Aaron Hughes- video, performance and drawing
Kim Miller- video
Dipti Desai- Art Education
Noam Toran- objects and films
Jon Rappleye- drawings
MTAA- participatory performances and group installations
Kristina Solomoukha- Shedding Identity
Ting Yi Lin- Persuasive Communication: visual information design
David Jones- Weaving the strands of time and work into a tapestry of experience
Zach Lieberman- Making the Invisible Visible
Charles Garoian- Art Practice as Prosthetic Visuality
Paul Vanouse- Counter Laboratories
Lisa Gralnick- The Gold Standard Contextualized
Ray Chi- Betwixt and Between Hither and Thither
Jennifer Bolande- Retroperspective
Roy Staab- Geometry, Mind, Nature, Art
Kim Cridler- Beauty and Its Pursuit - The Aesthetics of Pleasure
Marc Fischer- Temporary Services and Public Collectors
Andy Cooperman- Flux
Julia Fish- [ home ] work : images in context
Bobby Ciraldo & Andrew Swant- Special Entertainment
Nathalie Miebach- Weaving Science into Sculpture
Shana McCaw & Brent Budsberg- Smallification (Undermining Preciousness)
Michael Rakowitz - Three Projects
Terry Barrett - Art and Meanings
Antonio Martorell - Fear, Art and Freedom
Glenn Adamson - Craft as Memory Work
Howard Rissati - A Theory of Craft: Function and Aesthetic Expression
Nathaniel Stern - Nature Obliquely
Paul Berger - Tile, Quilt, Pixel
Michiko Itatani - Cosmic Theatre
Michele Feder-Nadoff - Inside, Outside & Across
Paul McMullan - Beneath the Surface: The Ceramic Art of Paul McMullan
Nick Cave - Adornment Amplified
Faythe Levine - Crafting Your Life: Constructing a Creative DIY Community
Gary John Gresl - Synthesis of Four Dimensions: Objects, Collecting, Creating
Mads Lynnerup - You Are the Artist, You Figure It Out
Dianna Frid - After the Invention of Clouds
Betsy Damon - Art, Ecology and Social ChangeQuilt, Pixel
Deb Sokolow- drawings and books
Sayumi Yokouchi- jewelry and metalsmithing
Peregrine Honig- printmaking
Billie Jean Theide- jewelry and metalsmithing
Kanishka Raja- painting
Sharon Portelance- jewelry and metalsmithing
Claire Pentecost- drawing and mixed media
Lisa Gralnick- jewelry and metalsmithing
Jennifer Rocklin- ceramics
Jane Brevick- jewelry and metalsmithing
Rachelle Thiewes- jewelry and metalsmithing
Fred Stonehouse, painter
Nato Thompson, curator, MassMoca
Harrell Fletcher, trans-media artist
Hasan Elahi, technology and media artist
CARTUNE XPREZ&HOOLIGANSHIP, collective live performance
Clayton Eshleman, poet, author, translator
Evan Roth, Graffiti Research Laboratory, “throwies” workshop
Jane Simon, curator MadMoca
BookMobile, travelling ‘zine collective
Zoey Beloff, installations, web and archaic film
Joyce Scott, sculpture, fiber and beadwork
Walid Raad, “Atlas Group,” multimedia artist
Zhang Zhaohui & Ma Yongfeng, curator and video artist
Kathryn Spence, installation and sculpture
Marianne Weems, “The Builder’s Group,” multimedia performance
Faith Wilding, mixed-media artist and political activist
Gregory Sholette, “Repo Histories”, artist, activist and writer
Nato Thompson, curator MASSMoCA, lecture on “The Interventionists”
Liz Bachhuber, sculpture, public artist, New Bauhaus graduate director
Siah Armajani, sculpture, public artist
Sheba Chhachhi, installation artist, globalism and women’s rights
Santiago Cucullu, installation artist
David Wilson, director Museum of Jurassic Technology
Christiane Paul, curator new media, Whitney Museum of Art
Course Requirements: Master of Arts (MA) degree
30 credits minimum
18 credits in Studio Art executed during graduate study
6 credits in Art History
6 credits in Seminars in Art offered by the Department of Art & Design
Course Requirements: Master of fine Arts (MFA) degree
60 credits minimum (or 30 credits beyond the MA degree or Qualifying Exams, and including MA degree requirements)
36-42 credits in Studio Art executed during graduate study
9 credits in Art History
9 credits in Seminars in Art offered by the Department of Art & Design
0 – 6 credits in related area
Other Department Requirements
A grade of a B or above is required for all courses counting toward the graduate degree. Students participate in one Graduate Review each academic year. As a capstone project, students present a Thesis Exhibition of artwork completed since admission to the program.
Students complete a Comprehensive Examination consisting of final written and oral examinations.
Advisor and Thesis Committee
The Major Professor advises on courses and Graduate School requirements and supervises research. The Major Professor is Chair of the Thesis Committee. While students are initially assigned to the area head of their concentration for advising, they must choose a Major Professor from among the graduate faculty of the Department of Art & Design sometime during their first year of study.
The Thesis Committee includes the Major Professor and two additional faculty members from the University of Wisconsin Milwaukee, both of which must be from the Department of Art & Design. An additional fourth committee member may be added, with the approval of the entire thesis committee, from the UWM graduate faculty or a professional from the Milwaukee community.
Students are required to complete all degree requirements within five years of initial enrollment.
Click here for the link to the University Graduate School bulletin for further information on the MA degree.
Click here for the link to the University Graduate School bulletin for further information on the MFA degree.
Graduate Studies in Art Activities
Each semester Graduate Reviews provide an opportunity for students to meet with a committee of Graduate Faculty and arts professionals in an extensive dialogue about the student’s studio research.
Graduate Student Progress Reports
Each semester graduate students meet with the faculty in their area of concentration or their Thesis Committee for a review and discussion of the progress of their studio research and academic studies. A report is made to the Office of Graduate Studies in Art.
Graduate Thesis Exhibitions take place during the last semester of study toward a degree (with the exception of Summer Sessions). The Degree Candidate must have the consent of their Major Professor to present his/her Thesis Exhibition. All MA and MFA degree candidates must present a Thesis Exhibition in Inova's Arts Center Gallery to complete their degree requirements.
MA/MFA Course Descriptions
Click here for Graduate course descriptions.